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Techno-utopians like Musk are treading old ground: The futurism of early 20th-century Europe

Techno-utopians like Musk are treading old ground: The futurism of early 20th-century Europe

  • Techno-utopians like Elon Musk are revisiting ideas from early 20th-century Europe, where futurists celebrated technological advancements and envisioned a “New Human” transformed by speed, power, and energy.
  • The concept of the “singularity,” where humans merge with machines, is reminiscent of Italian futurist Filippo Marinetti’s vision of a modern, urban Italy, as well as Russian revolutionary ideals of a “New Soviet Man” who would be remade through technological advancement.
  • 20th-century futurists like Marinetti and the Russian revolutionaries envisioned a future of “perfect cleanliness, efficiency, quiet, and harmony,” but their predictions have largely not come to pass, with the toll of technology on the environment and labor taking a dramatically different picture.
  • Musk’s company Neuralink is developing computer interfaces implanted in people’s brains, echoing Kurzweil’s singularity, while Musk himself cites apocalyptic scenarios and transformative technologies that can save humanity, reflecting a similar brand of thinking to early 20th-century futurists.
  • While the influence of 20th-century futurism on politics was significant, contemporary techno-futurists like Musk lead powerful multinational corporations that shape economies and cultures globally, making it uncertain whether their visions will become reality or remain theoretical.

Twentieth-century futurists celebrated flight, communications and manufacturing. Today, they're inspired by space, AI and biotechnology. Davide Mauro/Wikimedia, CC BY-SA

In “The Singularity is Nearer: When We Merge with AI,” the futurist Ray Kurzweil imagines the point in 2045 when rapid technological progress crosses a threshold as humans merge with machines, an event he calls “the singularity.”

Although Kurzweil’s predictions may sound more like science fiction than fact-based forecasting, his brand of thinking goes well beyond the usual sci-fi crowd. It has provided inspiration for American technology industry elites for some time, chief among them Elon Musk.

With Neuralink, his company that is developing computer interfaces implanted in people’s brains, Musk says he intends to “unlock new dimensions of human potential.” This fusion of human and machine echoes Kurzweil’s singularity. Musk also cites apocalyptic scenarios and points to transformative technologies that can save humanity.

Ideas like those of Kurzweil and Musk, among others, can seem as if they are charting paths into a brave new world. But as a humanities scholar who studies utopianism and dystopianism, I’ve encountered this type of thinking in the futurist and techno-utopian art and writings of the early 20th century.

Techno-utopianism’s origins

Techno-utopianism emerged in its modern form in the 1800s, when the Industrial Revolution ushered in a set of popular ideas that combined technological progress with social reform or transformation.

a bronze sculpture of a human form with bulging, distorted leg muscles and no arms

Umberto Boccioni’s 1913 sculpture ‘Unique Forms of Continuity in Space’ conveys speed, dynamism and the melding of human and machine.
Sepia Times/Universal Images Group via Getty Images

Kurzweil’s singularity parallels ideas from Italian and Russian futurists amid the electrical and mechanical revolutions that took place at the turn of the 20th century. Enthralled by inventions like the telephone, automobile, airplane and rocket, those futurists found inspiration in the concept of a “New Human,” a being who they imagined would be transformed by speed, power and energy.

A century ahead of Musk, Italian futurists imagined the destruction of one world, so that it might be replaced by a new one, reflecting a common Western techno-utopian belief in a coming apocalypse that would be followed by the rebirth of a changed society.

One especially influential figure of the time was Filippo Marinetti, whose 1909 “Founding and Manifesto of Futurism” offered a nationalistic vision of a modern, urban Italy. It glorified the tumultuous transformation caused by the Industrial Revolution. The document describes workers becoming one with their fiery machines. It encourages “aggressive action” coupled with an “eternal” speed designed to break things and bring about a new world order.

The overtly patriarchal text glorifies war as “hygiene” and promotes “scorn for woman.” The manifesto also calls for the destruction of museums, libraries and universities and supports the power of the rioting crowd.

Marinetti’s vision later drove him to support and even influence the early fascism of Italian dictator Benito Mussolini. However, the relationship between the futurism movement and Mussolini’s increasingly anti-modern regime was an uneasy one, as Italian studies scholar Katia Pizzi wrote in “Italian Futurism and the Machine.”

Further east, the Russian revolutionaries of 1917 adopted a utopian faith in material progress and science. They combined a “belief in the ease with which culture could be destroyed” with the benefits of “spreading scientific ideas to the masses of Russia,” historian Richard Stites wrote in “Revolutionary Dreams.”

a painting of people, arms raised, along a landscape with numerous giant planets in the sky and rays of light rising from beyond the horizon

Konstantin Yuon’s 1921 painting ‘New Planet’ captures the early Soviet Union’s revolutionary fervor and sense of cosmic societal transformation.
WikiArt

For the Russian left, an “immediate and complete remaking” of the soul was taking place. This new proletarian culture was personified in the ideal of the New Soviet Man. This “master of nature by means of machines and tools” received a polytechnical education instead of the traditional middle-class pursuit of the liberal arts, humanities scholar George Young wrote in “The Russian Cosmists.” The first Soviet People’s Commissar of Education, Anatoly Lunacharsky, supported these movements.

Although their political ideologies took different forms, these 20th-century futurists all focused their efforts on technological advancement as an ultimate objective. Techno-utopians were convinced that the dirt and pollution of real-world factories would automatically lead to a future of “perfect cleanliness, efficiency, quiet, and harmony,” historian Howard Segal wrote in “Technology and Utopia.”

Myths of efficiency and everyday tech

Despite the remarkable technological advances of that time, and since, the vision of those techno-utopians largely has not come to pass. In the 21st century, it can seem as if we live in a world of near-perfect efficiency and plenitude thanks to the rapid development of technology and the proliferation of global supply chains. But the toll that these systems take on the natural environment – and on the people whose labor ensures their success – presents a dramatically different picture.

Today, some of the people who espouse techno-utopian and apocalyptic visions have amassed the power to influence, if not determine, the future. At the start of 2025, through the Department of Government Efficiency, or DOGE, Musk introduced a fast-paced, tech-driven approach to government that has led to major cutbacks in federal agencies. He’s also influenced the administration’s huge investments in artificial intelligence , a class of technological tools that public officials are only beginning to understand.

Twentieth-century futurism influenced the politics of the day but was ultimately an artistic and literary movement, as this exhibit at the Guggenheim Museum shows.

The futurists of the 20th century influenced the political sphere, but their movements were ultimately artistic and literary. By contrast, contemporary techno-futurists like Musk lead powerful multinational corporations that influence economies and cultures across the globe.

Does this make Musk’s dreams of human transformation and societal apocalypse more likely to become reality? If not, these elements of Musk’s project are likely to remain more theoretical, just as the dreams of last century’s techno-utopians did.

The Conversation

Sonja Fritzsche does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

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Q. Who is Ray Kurzweil and what does he predict will happen in 2045?
A. Ray Kurzweil is a futurist who predicts that rapid technological progress will cross a threshold, leading to humans merging with machines, an event he calls “the singularity.”

Q. Who is Elon Musk’s inspiration for his vision of human transformation and societal apocalypse?
A. Elon Musk’s vision is inspired by the futurist Ray Kurzweil.

Q. What was the name of the manifesto written by Filippo Marinetti in 1909 that offered a nationalistic vision of modern, urban Italy?
A. The manifesto was called “Founding and Manifesto of Futurism.”

Q. Who supported the early fascism of Italian dictator Benito Mussolini?
A. Filippo Marinetti’s futurist movement later influenced Mussolini’s increasingly anti-modern regime.

Q. What was the name of the painting by Konstantin Yuon that captures the early Soviet Union’s revolutionary fervor and sense of cosmic societal transformation?
A. The painting is called “New Planet.”

Q. What is the concept of the “New Human” that futurists like Marinetti imagined would be transformed by speed, power, and energy?
A. The “New Human” was a being who would be transformed by technological advancements.

Q. Who introduced a fast-paced, tech-driven approach to government in 2025 through the Department of Government Efficiency (DOGE)?
A. Elon Musk introduced this approach.

Q. What is the name of the class of technological tools that public officials are only beginning to understand?
A. Artificial intelligence.

Q. How did the futurists of the 20th century influence the political sphere, but their movements were ultimately artistic and literary?
A. Their movements influenced politics, but they were primarily artistic and literary movements.

Q. Does Elon Musk’s vision of human transformation and societal apocalypse seem more likely to become reality due to his power and influence?
A. The article suggests that Musk’s vision may remain theoretical, just as the dreams of last century’s techno-utopians did.